Backstage Fairtale cast

Backstage Fairytale

Backstage Fairtale cast

As the fourth installment of the 2022 New Play Development Series, Aria Creative Productions will present a staged reading of “Backstage Fairytale” by Michael John McGoldrick. The reading will take place at 7 p.m. Wednesday, May 25, 2022 at Alamo City Studios. Jade Esteban Estrada will direct. Alamo City Studios is located at 1113 Houston Street in San Antonio, Texas. Seating is limited. Face masks are recommended. General admission tickets are $10. Tickets may be purchased at the door or online through Brown Paper Tickets.

The purpose of the New Play Development Series is to give playwrights an opportunity to further develop new works. Each official selection of the series will receive two rehearsals before the staged reading and an audience feedback session.

Backstage Fairytale is the story of Adam, an aspiring playwright, who visits his former lover, Celeste, now a successful New York actor. Adam reveals that he’s written a play about their relationship and asks her to read it. Though hesitant at first, she agrees when he grants her “veto power” to stop its production if she feels the play isn’t truthful. The pair meets two days later. Celeste objects to her portrayal; they then discuss the play and the failure of their relationship. Adam confesses he wrote the play to win her back. Will the couple reunite and will Celeste give her blessing to the play’s production?

Michael John McGoldrick is a New Jersey-based playwright. His play Wolf and Badger was produced by The Main Street Players in Miami last year. His play Allies was selected for residency at The New Jersey PlayLab in 2020. His plays have been finalists/winners in competitions sponsored by Trustus Theatre, Alleyway Theater, Playhouse on the Square, City Theater and others.

“I once wanted to write a play about Noel Coward that I ended up not writing,” said McGoldrick in a statement regarding his inspiration for writing the play. “But my research into Coward’s life prompted me to ask a set of intriguing questions: how does the ‘artifice’ of theater relate to the real-life circumstances of the people who create it? Why do creative people bother to create at all? This became the soil where Backstage Fairytale eventually took root.”

“I’m overjoyed to be working with Jade Esteban Estrada and the rest of the team at Aria Creative Productions,” McGoldrick stated. “I’m very intrigued to see how this innovative company will place its own unique stamp on my play.”

The reading will feature Amy Abrigo as Celeste and Julio Alberto Sepulveda as Adam. Melissa Martinez will be the stage directions reader.

“For a playwright, a staged reading is an important preparatory step in the creative process,” said Estrada. “Last month’s readings, titled The Politics of Modern Love, was an artistically rewarding experience. I am equally thrilled about this month’s selection and our exceptional cast.”

The New Play Development Series is an on-going initiative. 

“The purpose of this program is to bring more fully developed plays to our stages,” said Estrada. “When a great, meaningful play has an opening night, it is likely that the play had a table reading, a staged reading, and one or more workshop development performances. In my own experience as a playwright, I get a better picture of what my play is about after I present it in front of a live audience.” 

To request high-resolution photos of the Backstage Fairytale cast or creative team, or to request an interview with Artistic Director Jade Esteban Estrada, please email your request to artisticdirecting@gmail.com

General Information

Backstage Fairytale is the story of Adam, an aspiring playwright, who visits his former lover, Celeste, now a successful New York actor. Adam reveals that he’s written a play about their relationship and asks her to read it. Though hesitant at first, she agrees when he grants her “veto power” to stop its production if she feels the play isn’t truthful. The pair meets two days later. Celeste objects to her portrayal; they then discuss the play and the failure of their relationship. Adam confesses he wrote the play to win her back. Will the couple reunite? Will Celeste give her blessing to the play’s production?

Performance Date: May 25, 2022 Wednesday at 7 p.m.
Presented at: Alamo City Studios 1113 Houston Street San Antonio, Texas 78205
Tickets are $10.00 general admission. Tickets are available at the door or online at Brown Paper Tickets. No refunds. Exchange only for another show date. Limited seating. Masks are strongly encouraged.

Quills by Doug Wright

ARIA Creative Productions asks “What is Art?” with controversial show about the Marquis de Sade at the Overtime Theater

“In order to know virtue, we must first acquaint ourselves with vice.” One of the many memorable quotes from the infamous libertine and author, Donatien Alphonse François, otherwise known as the Marquis de Sade. The Marquis, to say the least, is a historically polarizing figure historically who spent the better part of his adult life in prisons and mental asylums throughout France due to his penchant for writing macabre stories fraught with pornography, violence, and some of the most extreme aspects of human behavior. His legacy is so profound, that even the words “sadism: and “sadist” are derived from his surname.

Quills-Promo-Press

In 1995, Texas-born playwright Doug Wright took pen to paper and composed his own story about this tumultuous character. Quills premiered at the Woolly Mammoth Theatre in Washington, D.C. and went on to win an Obie Award, as well as be adapted by Wright himself into a full-length motion picture starring Geoffrey Rush, Kate Winslet and Michael Caine. The film was critically acclaimed, earning Rush a BAFTA, a Golden Globe Award, and an Academy Award nomination for his performance as the Marquis.

Quills will be the first stand-alone production for ARIA in 2018. ARIA co-produced the regional tour of The Last 5 Years with Texas Light Opera earlier this year. It was during that production ARIA Executive Director Nicole Erwin was given the script and immediately became intrigued by its message.

“We want to show San Antonio something provocative, not just emotionally, but physically and mentally, as well,” says director Nicole Erwin. “This show, much like the author it’s written about, is as controversial as it gets. Within the first few minutes, the audience will be thrown eloquently written pieces of literature, featuring some of truly perverse scenarios: rape, murder and coprophagia, just to name a few. While we look at such things as atrocious, and justly so, one only has to look at our modern culture and ask, , ‘How deplorable do we really consider these things?’”

It was during The Last 5 Years that Erwin and ARIA Artist-in-Residence Joseph Urick began to brainstorm the possibility of putting on such a production. “The chance to bring its source material to life is staggering, but incredibly exciting as well. It is our hope that the show will be both terrifying and wonderful to watch,” says Urick.

The production is full of material pulled directly from Sade’s work, and, as expected, is not for all audiences. “At its heart,” continues Urick, “beyond the sex and the erotica, the story is not about the quality of Sade’s work, rather, it directly asks the audience, ‘What is art?’ ‘Is there a difference between good and bad art?’ ‘Should art ever be censored?’ ‘Who makes the decision to censor it?’ And, most importantly, ‘What gives them to right to make such a decision?’”

The show features a hyper-fictionalized re-telling of the Marquis’ final days at Charenton, a mental asylum in France where the historical Marquis actually did live and die. “Bringing the asylum to life at the Overtime is going to be quite a challenge,” says Erwin.  “We are in the small theatre that seats just over twenty-five seats, so spacing is going to be limited. However, in such an intimate space, we really want to put the action in the audience’s laps, so, in the tradition of the French neo-classic period, we are going to present this show in the French Tennis Court style, with the audience on two sides.”

“But what makes the show daunting is the extreme subject matter,” continues Erwin, “It would be quite easy to censor some of the more controversial moments of the play, but, if we did, when the play itself is about the lengths some go to censor art, then why do the show at all? So, yes, this production will pull no punches and will feature all those salacious details the Marquis was notorious for. It is my hope that the discerning audience will, at least, have lots of food for thought afterward.”

Quills will feature a cast of six, including Michael Song as Dr. Royer-Collard, a staunchly moral man of seemingly impeccable character; Robert Moritz as the Abbe de Coulmier, a merciful priest whose soft heart and merciful devotion are put to the test; Morgan Clyde as the chambermaid Madeleine Leclerc, a laundry lass smitten with the Marquis’ works; James Lindsley as Monsieur Prouix, an architect who works for Dr. Royer-Collard, Susan Brogdon as Renee Pelagie, the Marquis’ ill-begotten wife, who is desperate to silence her philandering husband, by any means; and finally, Urick will play the insufferably impish Marquis.

Due to its graphic adult content, intense subject matter, and provocative language and situations, this production will be held for a limited run, with only four public performances, and one preview.

Quills is produced by ARIA Creative under special arrangement with Dramatists Play Service, Inc.

Quills is meant for mature audiences only, and will feature male nudity, Adult language, situations, and themes. Only those over 18 will be admitted. No exceptions. This production is not recommended for those with sensitive religious beliefs.

Performances: July 19-July 28; Fridays and Saturdays at 8:00PM; No Sunday matinees.
$20 General Admission. Tickets Online at https://ariaquills.brownpapertickets.com 

Location: The Overtime Theater, 5409 Bandera Rd. Suite 205, San Antonio, TX 78238  Phone: (210) 557-7562

Runtime: Two Hours. One Intermission. Reviewers are invited on or after July 18. Photos Courtesy of Mary Rath.